The publication Małgorzata Mirga-Tas – Tełe Ćerhenia Jekh Jag explores the cultural and historical dimensions of the exhibition and offers personal insights into Małgorzata Mirga-Tas’s collaborative practice. Large-format reproductions of the new works created for Bregenz are combined with photographs documenting the collective process in the artist’s studio near Czarna Góra, resulting in an intimate visual narrative. Poems by Jan Mirga, the artist’s uncle—featured as a sound piece in the exhibition—are published here for the first time. In a conversation with Anna Mirga-Kruszelnicka and KUB Director Thomas D. Trummer, Małgorzata Mirga-Tas reflects on her working methods and the themes explored in her art. Wojciech Szymański provides context on the artist’s cultural background, Ethel Brooks examines the intersection of art and political activism in Mirga-Tas’s work, and Thomas D. Trummer frames her textile collages as a poetic form of resistance that brings marginalized histories into view.
Edited by Thomas D. Trummer, Kunsthaus BregenzTexts by Ethel Brooks, Jan Mirga, Anna Mirga- Kruszelnicka, Małgorzata Mirga-Tas, Wojciech Szymański, Thomas D. TrummerEnglish / GermanPublication date: September 2025
