The artist’s breath, condensed on a glass panel, seizes upon issues central to the exhibition: night and fog, concealment and transparency, breathing as the epitome of being alive, its absence an indication of the arrival of death. In her three-part series of works »Vernebelt«, which is the most recent work on display in the exhibition at Kunsthaus Bregenz, Philipsz makes the essence of breathing, the breath, visible in mysterious figural form.
Contact: Caroline Schneider-Dürr
c.schneider@kunsthaus-bregenz.atT: +43-5574-48594-444
