This publication accompanying the exhibition is the first to focus on the three separate artistic positions of Wade Guyton, Guyton|Walker, and Kelley Walker jointly. The presentation enables the simultaneous examination and consideration of not just the individual positions of each artist, but also that of the artistic duo, founded in 2004. Individual authorship, along with artistic techniques and pictorial languages the duo share in common, are the subjects of Sam Pulitzer’s knowledgeable contribution on Wade Guyton, Quinn Latimer’s essay on Kelley Walker, as well as Jack Bankowsky’s text, introducing and locating Guyton|Walker in art historical terms. Yilmaz Dziewior’s introductory essay lays out the thinking behind the exhibition’s distinctive concept. Photographs of the installation at Kunsthaus Bregenz as well as a carefully compiled appendix provide a comprehensive documentation of each of the three artistic positions.